Posts from November, 2008

A Code for a Portrait – Sarah 1

By Pari on Tuesday 11 November, 2008 | Comments Off |

OpenTags: 3. Week three/ Sarah Dowling

A Code for a Portrait – Sarah 2

By Pari on Tuesday 11 November, 2008 | Comments Off |

OpenTags: 3. Week three/ Sarah Dowling

A Code for a Portrait – Sarah 3

By Pari on Tuesday 11 November, 2008 | Comments Off |

OpenTags: 3. Week three/ Sarah Dowling

A Code for a Portrait – Luisa 2

By Pari on Tuesday 11 November, 2008 | Comments Off |


OpenTags: 3. Week three/ Luisa D'Ambrosio

Is this week 4 already ?

By Sarah Dowling on Tuesday 11 November, 2008 | 1 Response |

Till thousends thee. Lps.The keys to. Given! A way a lone a lost a loved a long the

I chose this piece of text as the basis for a code. A code to act as a vessel for the 10-12 movements we developed in week 2. 

These are the rules I have made up    ( I don’t like making up my own rules – I preferred the song where the rules were just given to you and you had to get on with it – now there are too many choices – too many opportunities for me to stray from the task -  but just to contradict myself it is actually a fantastic task for me – cause it shows me exactly how I let myself off the hook in the creative process … )          to date:
Read more >

OpenTags: 4. Week four/ Sarah Dowling

Revisiting the Portrait 1

By Pari on Friday 14 November, 2008 | Comments Off |

OpenTags: 4. Week four/ Luisa D'Ambrosio

Week 4-5

By Pari on Friday 14 November, 2008 | Comments Off |

OpenTags: 4. Week four

Crossing territories and Moving light 4

By Pari on Friday 14 November, 2008 | Comments Off |

OpenTags: 4. Week four/ Josephine Dyer

Volume and enrichment

By Lyndsey on Saturday 15 November, 2008 | Comments Off |

I’ve got to a point where I am almost scared to move, I’m being very honest. Having had another task presented to us, together with very useful feedback for Portraits, I am realising how I need to push myself further, I need to amplify my movement without loosing the richness of the thought. This feels quite a challenge as I know I can turn up the volume but the point is, can I maintain and even develop the intention in it’s true sense? I have purposefully chosen an idea for myself within this new task to explore exactly that.

OpenTags: 4. Week four/ Categories/ Lyndsey McConville

Week 5 and 6

By Deborah Saxon on Monday 17 November, 2008 | Comments Off |

To show a journey across the space moving through three distinct terrains. Within the task we will look at how an imagined terrain or circumstance makes an impact or imprint on our movement language. Each terrain should have its own unique rhythm and timing and we should be able to drop into each state without build up or preparation. This will contrast our process for the portraits task in which we found an internal emotional world that impacted on the space around and was particularly directed to a known viewer.

OpenTags: 5. Week five/ Deborah Saxon/ Gill Clarke/ Henry Montes/ Sarah Warsop

‘relating thought and movement’ 3

By Joe on Tuesday 18 November, 2008 | Comments Off |

 

OpenTags: 5. Week five/ Joe Moran

‘the most perfect amount of effort’ 2

By Pari on Wednesday 19 November, 2008 | Comments Off |

OpenTags: 5. Week five/ Sarah Dowling

A final question

By Ian on Thursday 20 November, 2008 | 4 Responses |

This is my final quetion for the site and I would appreciate your thought and comments. Thanks for all your answer to previous questions – and you should feel free to revisit the old questions and any current viewpoints!

As you reach the end of the project, is it possible to see how taking part in Jerwood Bank 2008 might impact on what you do in the future, e.g. in your creative process, the direction of your future career, the choices that you might make?

OpenTags: 5. Week five/ Ian Bramley

Revisiting the Portrait 2

By Luisa on Thursday 20 November, 2008 | Comments Off |

OpenTags: 5. Week five/ Luisa D'Ambrosio